PDF Ebook The Oxford Dictionary of Original Shakespearean Pronunciation, by David Crystal
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The Oxford Dictionary of Original Shakespearean Pronunciation, by David Crystal
PDF Ebook The Oxford Dictionary of Original Shakespearean Pronunciation, by David Crystal
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This dictionary is the first comprehensive description of Shakespearean original pronuniciation (OP), enabling practitioners to deal with any queries about the pronunciation of individual words. It includes all the words in the First Folio, transcribed using IPA, and the accompanying website hosts sound files to further aid pronunciation. It also includes the main sources of evidence in the texts, notably all spelling variants (along with a frequency count for each variant) and all rhymes (including those occurring elsewhere in the canon, such as the Sonnets and long poems). An extensive introduction provides a full account of the aims, evidence, history, and current use of OP in relation to Shakespeare productions, as well as indicating the wider use of OP in relation to other Elizabethan and Jacobean writers, composers from the period, the King James Bible, and those involved in reconstructing heritage centers. It will be an invaluable resource for producers, directors, actors, and others wishing to mount a Shakespeare production or present Shakespeare's poetry in original pronunciation, as well as for students and academics in the fields of literary criticism and Shakespeare studies more generally.
- Sales Rank: #381622 in Books
- Published on: 2016-06-01
- Original language: English
- Dimensions: 7.10" h x 1.70" w x 10.00" l, 1.74 pounds
- Binding: Hardcover
- 780 pages
Review
"In view of the 400th anniversary of Shakespeare's death this year, The Oxford Dictionary of Original Shakespearean Pronunciation has arguably been the most anticipated book of 2016 for Shakespeare lovers, readers, actors, directors, and scholars." --Huffington Post
About the Author
David Crystal is known throughout the world as a writer, editor, lecturer, and broadcaster on language. His work on the language of Shakespeare includes Pronouncing Shakespeare, Think on My Words: Exploring Shakespeare's Languages, and, with Ben Crystal, Shakespeare's Words, The Shakespeare Miscellany, and The Oxford Illustrated Shakespeare Dictionary.
Most helpful customer reviews
1 of 1 people found the following review helpful.
Great addition to any Shakespeare library.
By Jared R Towler
Wow. It is exactly what it says. There is very little intro. It is a pronouncing dictionary of nearly every Shakespeare word. Invaluable to a Shakespearean.
1 of 2 people found the following review helpful.
OP!
By Nora and Neil
So excited to have this book! I love original pronunciation, this will help me understand Shakespeare's rhymes so much better.
3 of 4 people found the following review helpful.
Revitalising the Sound of Shakespearean English
By Annie Martirosyan
After over ten years of massive research, David Crystal has furnished a dictionary of paramount significance to Applied Linguistics, Historical Linguistics, Lexicography, theatre and Shakespeare studies - one to be shelved next to the iconic Historical Thesaurus of the Oxford English Dictionary.
Shakespeare studies are flourishing today as ever before. While it seems (usually to people outside the specialist field) everything has been said already, there is always a possibility for an intriguing new dimension in Shakespeare. Indeed, as with any work of genius. One of the latest breakthroughs in Shakespeare scholarship has been the revitalisation of the interest in Early Modern Pronunciation. And David Crystal has been a pioneer in rekindling a fresh fascination with the Original Pronunciation (OP) of Shakespeare’s time, which has culminated in this beautiful, impressive dictionary.
There is already plenty of auditory material in OP we can access through Crystal’s Original Pronunciation website but the dictionary itself comes with a slip with information on personal access to the special online sound files resource on the OUP platform.
The book consists of Crystal’s introductory text and the dictionary itself, extending over 600 pages. In the introduction, Crystal lays out the conventions in the dictionary format, gives important background of the research process and the making of the dictionary as well as a historical overview of OP. Crystal expands on the historical attempts to revive OP, which, among others, involved many regarded academics of the time, particularly Daniel Jones, Randolph Quirk and A.C. Gimson at UCL.
The author writes that the inspiration for the dictionary came from the Globe production of Romeo and Juliet in OP in 2004, the experience of which Crystal relates in his book Pronouncing Shakespeare: the Globe Experiment. Several other OP productions followed as the interest and excitement grew, including A Midsummer Night’s Dream at Kansas University, Hamlet at the University of Nevada, Pericles in Stockholm, As You Like It at Bangor University, and later Macbeth and Henry V back at the Globe. Moreover, the interest to capture OP has spread beyond Shakespeare, with King James Bible among the texts which have been sounded in OP. And this very month, Crystal is involved with the OP readings of Henslowe’s Diary and Marlowe’s Doctor Faustus at Shakespeare’s Globe. The OP beat goes on.
Crystal answers the immediate question in the minds of many of us - How do we know? He derives his techniques from previous research as well as his own fresh examination of the evidence which is of four main types - spellings, rhymes, puns, and observations by contemporary writers. He also highlights the pragmatic possibilities of OP through wordplay or phonaesthetic effects as well as the character choices, and the sociolinguistic and stylistic factors.
The most remarkable effect of OP on stage is probably the way it endears the audience. Crystal writes of audience members identifying the accent as close to their own, while coming from all sorts of places.
Crystal broadly uses the International Phonetic Alphabet (IPA) for the transcriptions of words which sound different from RP, and he clearly illustrates it in the introduction. It is very easy and anyone who has learned English as a second or foreign language or used a monolingual or bilingual English dictionary, would, of course, take the transcription part for granted. The presentation of the entries is comfortable to the eye, inviting long hours of magical journey through the sounds of the past.
See full review on HuffPost UK Blog.
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